Don’t give up

Copyright: garagestock / 123RF Stock Photo
Copyright: garagestock / 123RF Stock Photo

This post is an antidote to one posted in May – the one called I Give UpI Give Up was about deciding that some activity or other had passed beyond the realms of the possible.  For the sake of your sanity it was best to give up on it and look for new things that you COULD do.  The examples I gave were going to the theatre (I find captioned performances pointless because my hearing is now so poor that I have to watch the captions the whole time, completely missing the visual experience of the play) and attending events at a particular local venue.  Continue reading


Positives to counteract the negatives

Copyright: hayaship / 123RF Stock Photo
Copyright: hayaship / 123RF Stock Photo

Sometimes hearing loss is very hard on the self-esteem.  I’ve always considered myself a fairly confident and resilient human being but sometimes being deaf really tests that.  It’s hard to feel confident when I’m on the edge of conversations, trying to get a foothold.  It’s hard not to feel a big sense of loss about some of the things I can’t do any more (chatting easily to my husband whenever I want to is top of my list of things I would like back).

But what do you do?  My philosophy is that there’s no point giving into it.  It’s my one and only life and I’m determined not to let my ears spoil it. Continue reading

I give up


Most of the time I look for ways to continue doing what I’ve always done.  As I say in About this Blog – “determinedly carrying on, doggedly trying not to let my ears stop me doing stuff”.  On the other hand, sometimes I decide that it’s better for my sanity to give up on something.

That can be a tough decision.  I used to like going to the theatre occasionally but as my deafness progressed it became harder and harder to understand what the actors were saying.  I coped to begin with.  I would buy tickets for seats near the front that maximised the chances of hearing and lip reading.  I would go to plays where I knew what was going to happen.  (Romeo and Juliet anyone?  I might miss some of the dialogue but I knew the plot).  I would book for things where great visual content was the main draw – the puppetry in War Horse, for example, was so astonishing that the fact I couldn’t follow the dialogue didn’t bother me so much.  But eventually I found it too depressing to sit there for three hours not hearing stuff.

I explored captioned performances and was optimistic that this would be the solution, given how much I enjoy subtitled TV.  But they didn’t work for me.  The problem I found was that I couldn’t read the captions and watch the performance at the same time, which I can with subtitled television.  Either I was following the script or watching the actors but I couldn’t do both.

Actually, I’ve puzzled over why my reaction to captioned theatre was so negative when other people with hearing loss love it.

Perhaps the answer partly lies in the degree of hearing loss.  In a recent post on her blog Living with Hearing Loss Shari Eberts talks about loving captioned performances because she can flick her eyes to the captions (at the side of the stage) whenever she misses some dialogue.  The captions lag slightly behind the performance so she can get a quick bit of help and then go back to the play.  But nowadays I can’t make sense of ANY of the stage dialogue so I find that I have my eyes glued constantly to the captions.  I might as well sit at home and read the script.

Perhaps the problem lies in where the captions are.  On the television, or a DVD, the captions are at the bottom of the screen.  The same thing applies at the cinema, or it did at the one film I have been to in years (Star Wars in 3D, at Christmas – even in 3D the subtitles were perfectly clear and I comfortably watched the whole thing, just as if it was a TV programme).  But at the theatre the captions are off to the side, at least they have been at every performance I’ve tried.  Perhaps THAT’s the problem.

Anyway, whatever the cause of the problem, I tried, and tried again, but it was miserable.  There are few things as depressing as sitting in a theatre trying to have a good time and failing, and feeling very deaf.  So I gave up.  Let it go.

On a more trivial level, I made a similar decision about a very popular local archaeology day (archaeology is a hobby of mine) where people give short talks on a variety of topics.  The community archaeology group I belong to has a winter programme of talks in a different venue, and we set things up so that people with hearing loss can cope.  I make sure that I get a seat in the front row, near the speaker.  We leave the lights on (you can’t lip read in the dark).  The room is fairly small and carpeted (no echo effect).  There is a good loop system and we know how it works – it’s amazing how many venues don’t realise you have to switch them on.  I manage fine.

But other venues can be much more difficult, even with sympathetic organisers who do what they can to help.  The event I’m referring to is held in a massive echo-y hall.  Even in the front row, on loop setting, with the lights on, I struggle.  People with hearing loss will know what I mean when I say that sometimes it is such hard work understanding speech that all meaning is lost.  It is as if the brain is working so hard to make the noises into words that there is no brain left to make the words make sense.  It was like that.  Give up.  It’s only one event a year.

It’s a dilemma though, because life would be pretty awful if it was just about stopping doing things you enjoy. Sometimes it’s right to refuse to give up – to find a way to make things continue to be possible.

If that fails (like it did with me in the examples above) it can help to find new things to act as replacements.  A recent enthusiasm of mine is for contemporary dance (watching it, I hasten to add, not doing it).  The BBC had an excellent series last year, a competition for young dancers in various styles – ballet, contemporary, hip hop and south Asian.  It was fantastic.  I’d also loved, a couple of years ago, seeing Matthew Bourne’s Swan Lake, with the male swans.  (It was so extraordinary I went twice).  So I’ve set myself the task of seeing some more productions, the most recent of which was BalletBoyz at Sadler’s Wells.  Not everyone’s cup of tea, I know, but I’m loving it.  I can’t hear the music properly but that doesn’t seem to matter, the visual impact is so extraordinary.

I think that’s the answer.  Sometimes you have to decide to abandon things, for your sanity’s sake, but you also need to make sure to have some new enthusiasms bubbling away to fill the gap.

Any other suggestions anyone?

PS Please don’t let me put you off trying captioned theatre performances.  Lots of people really love them.

Image Copyright: nikolae / 123RF Stock Photo

Bad hearing days


Everyone has good days and bad days; we probably all have strategies for coping with that.  I’ve found it useful to have specific strategies for bad hearing days – those times when there has been an embarrassing misunderstanding or some other depressing hearing loss-related event.  Mainly I feel (about my hearing) “I can cope with this”, but sometimes I wobble (I’m sure everyone does).  Over time I’ve learnt that the best way to recover my equilibrium is to do things I love that don’t involve my ears.

I lose myself in a good book.  I cook.  I watch a favourite TV programme or a DVD (with subtitles).  Curled up on the settee with my husband, watching a subtitled film, is a great way to remember that life is good.  I write – this blog for example – or do some more research into the history of our house (nobody talks online, or in the library).

Or – a favourite – I take our dog for a long walk.  Our dog, Izzy, is not a specially trained hearing dog for deaf people.  She’s just a normal dog.  But she is great company, as a hugely enthusiastic walking companion.  And she never says anything!  So a walk with her is just what I need on a bad hearing day.

For one of my favourite walks you leave the house and head down the hill to the bottom of the little valley we live in.  There is then a steep climb, through fields, up the other side.  It is steep enough, and long enough, to get your heart pounding and lungs working (if you are me anyway, Izzy trots along easily, breathing normally).  Nearly at the top, when you think you MUST have a rest, there is a bench to sit on.  The views from there are tremendous and you get your breath back.

Izzy at the bench on the hillside

A little further on, you reach a track across a wide expanse of rough moorland pasture.  This leads eventually to a quiet lane, heading back down hill to another village.  I love this lane.  You’ve done all the hard work of the walk now and can just stride along, admiring the view.  On a clear day you can see Ingleborough (one of Yorkshire’s Three Peaks), some 20 miles away.

Back at the valley bottom a disused railway track leads back to our village.  Izzy has been on the lead all the time so far, because of the sheep in the fields and the (very few) vehicles on the lane, but now she can be off the lead and have a good run.  We usually divert into her favourite field (no livestock) so she can charge about, chase balls and have a drink in the stream.

Then back home, feeling massively better.  I find it impossible to feel fed up after a good long walk in beautiful countryside.  My “I can cope with this” programme is thoroughly re-booted.

Do you have survival strategies for bad hearing days?